Jean-Luc Godard Collection - 10-DVD Box Set ( Bande à part / Une Femme Mariée / Week End / Tout va bien / Sauve qui peut / Je vous salue, Marie / Soigne ta droite / For Ever Mozart / JLG/JLG - autoportrait de décembre ) ( Band of Outsiders / A Married Woman / Weekend / All's Well (Everything's All Right / Just Great) / Every Man for Himself / Hail Mary / Keep Your Right Up / For Ever Mozart / JLG/JLG: Self-Portrait in December )

Jean-Luc Godard Collection - 10-DVD Box Set (DVD) (*)

$137.99

Original Title: Bande à part / Une Femme Mariée / Week End / Tout va bien / Sauve qui peut / Je vous salue, Marie / Soigne ta droite / For Ever Mozart / JLG/JLG - autoportrait de décembre
Alternate Title: Band of Outsiders / A Married Woman / Weekend / All's Well (Everything's All Right / Just Great) / Every Man for Himself / Hail Mary / Keep Your Right Up / For Ever Mozart / JLG/JLG: Self-Portrait in December
Screened, competed or awarded at:
Venice Film Festival

Language Selections:
English ( Subtitles )
French ( Dolby Digital 2.0 )
French ( Dolby Digital 5.1 )
French ( Dolby Digital Stereo )
French ( Mono )
French ( Subtitles )

Product Origin/Format:
France ( PAL/Region 2 )

Running Time:
889 min

Aspect Ratio:
Fullscreen

Special Features:
Box Set
Cast/Crew Interview(s)
Documentary
Interactive Menu
Multi-DVD Set
Scene Access
Trailer(s)
Black & White
Remastered

Movie filmed in 1964 - 1996 and produced in:
Austria ( Germany, Central Europe )
France ( France, Benelux )
Germany ( Germany, Central Europe )
Italy ( Italy, Greece )
Switzerland ( Germany, Central Europe )
United Kingdom ( Great Britain, Ireland )

Directed By:
Jean-Luc Godard
Jean-Pierre Gorin

Written By:
Dolores Hitchens
Jean-Luc Godard
Jean-Pierre Gorin
Anne-Marie Miéville
Jean-Claude Carrière

Actors:
Anna Karina ..... Odile
Danièle Girard ..... English Teacher
Louisa Colpeyn ..... Madame Victoria
Chantal Darget ..... Arthur's Aunt
Sami Frey ..... Franz
Claude Brasseur ..... Arthur
Georges Staquet ..... Le légionnaire
Ernest Menzer ..... Arthur's Uncle
Jean-Claude Rémoleux ..... L'élève buveur d'alcool
Michel Delahaye ..... Le portier
Jean-Luc Godard ..... Le narrateur
Monsieur Jojot ..... Pupil
Claude Makovski ..... Student in English Class
Michèle Seghers
Bernard Noël ..... Robert, the Lover
Macha Méril ..... Charlotte
Philippe Leroy ..... Pierre, the Husband
Christophe Bourseiller ..... Nicolas
Roger Leenhardt ..... Himself
Margaret Le Van ..... Girl in Swimming Pool
Véronique Duval ..... Girl in Swimming Pool
Rita Maiden ..... Madame Celine
Georges Liron ..... The Physician
Mireille Darc ..... Corinne Durand
Jean Yanne ..... Roland Durand
Jean-Pierre Kalfon ..... Le chef du Front de Libération de la Seine et Oise
Yves Montand ..... Him, Jacques
Jane Fonda ..... Her, Suzanne
Vittorio Caprioli ..... Factory Manager
Elizabeth Chauvin ..... Genevieve
Castel Casti ..... Jacques
Éric Chartier ..... Lucien
Louis Bugette ..... Léon
Yves Gabrielli ..... Frederic
Pierre Oudrey ..... Delegate
Jean Pignol ..... Leftist woman
Anne Wiazemsky ..... Germain
Marcel Gassouk ..... Georgette
Didier Gaudron
Michel Marot
Hugette Mieville
Isabelle Huppert ..... Isabelle Rivière
Jacques Dutronc ..... Paul Godard
Nathalie Baye ..... Denise Rimbaud
Roland Amstutz ..... Second client
Cécile Tanner ..... Cecile
Anna Baldaccini ..... Isabelle's sister
Roger Jendly ..... 2nd Guy
Fred Personne ..... First client
Nicole Jacquet ..... Woman
Dore De Rosa ..... Elevator Attendant
Monique Barscha ..... Chanteur d'opéra
Michel Cassagne ..... Piaget
Paule Muret ..... Paul's ex-wife
Catherine Freiburghaus ..... Farm Girl
Bernard Cazassus ..... 1st Guy
Myriem Roussel ..... Marie
Thierry Rode ..... Joseph
Philippe Lacoste ..... L'ange Gabriel
Manon Andersen ..... La petite fille
Malachi Jara Kohan ..... Jésus
Juliette Binoche ..... Juliette
Dick ..... Le chien
Georges Staquet
Jane Birkin ..... La cigale
Dominique Lavanant ..... La femme de l'amiral
Pauline Lafont ..... La golfeuse
Eva Darlan ..... La passagère
Isabelle Sadoyan ..... La grand-mère
Carina Barone ..... L'Américaine
Catherine Houssay ..... La première hôtesse
Anny Seneque ..... La seconde hôtesse
Eloïse Beaune ..... La maman
Laurence Masliah ..... L'amoureuse classique
Agnès Sourdillion ..... La campeuse
Melissa Chartier ..... La petite fille
Valérie Morat ..... La femme de chambre
Jacques Villeret ..... L'individu
François Périer ..... L'homme
Madeleine Assas ..... Camille
Ghalia Lacroix ..... Rosette
Bérangère Allaux ..... Actrice
Vicky Messica ..... Metteur en scène
Frédéric Pierrot ..... Jérôme
Harry Cleven ..... Grand écrivain
Michel Francini ..... Baron
Sabine Bail ..... Sabine - amie du Baron
Max André ..... Conseiller
Sylvie Herbert ..... Maman
Cécile Reigher ..... Assistante opérateur
Dominique Pozzetto ..... Stagiaire
Yasna Zivanovic ..... Journariste
Nathalie Dorval ..... Serb Corporal
Dan Thorens
Jean-Luc Godard ..... Himself
Geneviève Pasquier
Denis Jadót
Brigitte Bastien
Elisabeth Kaza
André S. Labarthe
Louis Seguin
Bernard Eisenschitz
Nathalie Aguillar

Synopsis:

Band of Outsiders (1964)
Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery.
A Married Woman (1964)
Director Jean-Luc Godard narrates this study of a married woman who begins an affair with another man.
Weekend (1967)
A unlucky married couple, that tries to kill each other, wants to travel to the countryside...
All's Well (1972)
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.
Every Man for Himself (1980)
An examination of sexual relationships, in which three protagonists interact in different combinations.
Hail Mary (1985)
The student Marie, who plays basketball and works in the gas station of her father, gets pregnant without having intercourse.
Keep Your Right Up (1987)
The adventures, and unusual encounters of several different people, including The Man, The Frenchman and The Individual, in their search for a true place on earth.
For Ever Mozart (1996)
Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories...
JLG/JLG: Self-Portrait in December (1994)
JLG reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

Band of Outsiders (1964)
A triangle: Franz, Arthur, and Odile. Franz, a young man with Alain Delon good looks, has met Odile in an English class. She lives in Joinville with wealthy benefactors and has mentioned to Franz that Mr. Stolz keeps a pile of 10,000 franc notes unlocked in his room. Franz tells his friend Arthur, a swarthy guy whose shady uncle is pressing him for money. Arthur and Franz, who mimic American movie tough guys, case Odile's house, pressure her to assist them with a burglary, and make passes at her as well. She's alternately compliant and distressed. Will they pull off the heist?
A Married Woman (1964)
Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust? She lives in a Paris suburb with her son and her husband Pierre, a pilot. Her lover is Robert, an actor. Assignations with him, dinner with her husband and a client, consulting a physician: there's tension at home, Pierre had her followed a few months before, their marital play has an edge, Pierre slaps her and apologizes. She quizzes Robert: is he acting when he's with her? Events may force her to choose Robert or Pierre. Close-ups fill the screen; is there more than surface? Her eyes tear up. The horrors of war provide a distant counterpoint.
Weekend (1967)
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
All's Well (1972)
Jean-Luc Godard dissects the structure of society, movies, love and revolution. He asks compelling questions: Can love survive a relationship? Can ideology survive revolution? He also looks at the French student riots of the 1960s with a critical eye, and ends up satirizing contemporary views of history. A battery of thoughts complete with criticism of modern society and movies.
Every Man for Himself (1980)
'Every Man for Himself' charts the intertwined lives of three characters: Paul Godard (Jacques Dutronc), a filmmaker whose marriage is on the rocks; his ex-girlfriend, Denise Rimbaud (Nathalie Baye), who wants to escape to the country; and Isabelle Rivière (Isabelle Huppert), a prostitute who sells her body to lead a free life.
Hail Mary (1985)
In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel Gabriel must school Joseph to accept Mary's pregnancy, while Mary comes to terms with God's plan through meditations that are sometimes angry and usually punctuated by elemental images of the sun, moon, clouds, flowers, and water. Godard intercuts a brief parallel story of Eva and her nameless lover; their adulterous affair, rife with philosophical discussions, leads nowhere.
Keep Your Right Up (1987)
Described by Godard as "a fantasy for actor, camera and tape recorder", this film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The film is divided into three sections which inter-cross throughout. In each, a group of people search for their proper place on earth. In the first, a group of musicians search for the right sound, the ideal harmony. In the second, a man searches for an ideal society and wonders if he is on the wrong planet. In the third, some travellers search for their destination, as Ulysses did in the bygone days. Each group has its own project, but the story is really about projection (as in film projection) as the essence of man's adventure on earth. A very beautiful voice presents the film, leads it along, prepares for what follows and gives us the illusion of taking part in the art of creation.
For Ever Mozart (1996)
For Ever Mozart is an episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France. Director Jean-Luc Godard presents stories about this troop to ask how one can make art while slaughters like the one in Bosnia are taking place, and he throws in a strong critique of the European Union. For Ever Mozart is one of Godard's most disjointed and difficult films. Its stories sometimes seem to form a whole and at other times the links among them are unclear. One gets the impression that in each episode Godard attempts to start a film only to come to the conclusion that it is impossible to continue. It features some of the most beautiful shots of tanks in the cinema.
JLG/JLG: Self-Portrait in December (1994)
Jean-Luc Godard films himself in his native Switzerland, pondering his childhood and, as usual, ruminating about art and life. If you can put up with the brooding self-regard, which occasionally suggests German romanticism at its most narcissistic (imagine Goethe contemplating a bust of himself), this 1995 film shows Godard at his most accomplished, at least when it comes to composing in sound and image.

Band of Outsiders (1964)
Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery.
A Married Woman (1964)
Director Jean-Luc Godard narrates this study of a married woman who begins an affair with another man. After becoming pregnant, she is unable to figure out which man is the father of her son and must choose between the two.
Weekend (1967)
A unlucky married couple, that tries to kill each other, wants to travel to the countryside, but due to behaviour of all the people with travel becomes a nightmare full of accidents, terrorism and civil war.
All's Well (1972)
Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.
Every Man for Himself (1980)
An examination of sexual relationships, in which three protagonists interact in different combinations.
Hail Mary (1985)
The student Marie, who plays basketball and works in the gas station of her father, gets pregnant without having intercourse. The taxi driver Joseph becomes upset and the newcomer in town Gabriel convinces Joseph to accept her pregnancy. Meanwhile the college student Eva has an affair with her professor.
Keep Your Right Up (1987)
The adventures, and unusual encounters of several different people, including The Man, The Frenchman and The Individual, in their search for a true place on earth.
For Ever Mozart (1996)
Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director's efforts to complete his film.
JLG/JLG: Self-Portrait in December (1994)
Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

This product was added to our catalog on Sunday 09 March, 2014.

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