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Bartabas Collection - Zingaro Shows (30 Years) - 12-DVD Box Set (DVD) (*)
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Out of Stock

Original Title: Cabaret Equestre / Opéra Equestre / Chimère / Eclipse / Triptyk / Loungta, les chevaux de vent / Entr'Aperçu / Battuta / Darshan / Bartabas Ko Murobushi - Le centaure et l'animal / Golgota / Calacas
Language Selections:
Silent ( Dolby Digital 5.1 )
Silent ( Dolby Digital Stereo )


Product Origin/Format:
France ( PAL/Region 2 )

Running Time:
788 min

Aspect Ratio:
Widescreen (1.85:1)

Special Features:
Box Set
Cast/Crew Interview(s)
Interactive Menu
Multi-DVD Set
Scene Access
Trailer(s)


Movie filmed in 1984 - 2015 and produced in:
France ( France, Benelux )
Switzerland ( Germany, Central Europe )


Directed By:
Bartabas


Written By:
Bartabas


Actors:
Bartabas
Manuel Bigarnet
Shantih Breikers
Arnaud Gillette
Laure Guillaume
Claire Leroy
Brigitte Marty
Pierrick Moreau
Jocelyn Petot
Bernard Quental
Etienne Régnier
Eva Schakmundes
Shantala Shivalingappa
Max Soulignac


Synopsis:
Nestled on the slopes of the Fort d'Aubervilliers in its wooden theatre, the Théâtre Equestre Zingaro has been existing for more than 30 years. Indeed, Bartabas' creations and his troupe have been travelling the world and telling their stories for more than a quarter of century. From the first equestrian cabarets up to Battuta, not forgetting the wonderful Chimère, Zingaro shows combine equestrian theatre, dance, world music, poetry and many other disciplines: as many invitations to travel and vectors of universal emotions.
Cabaret Équestre (1984 - 1990)
Opéra Équestre (1991 - 1993)
Chimère (1994 - 1996)
Eclipse (1997 - 1999)
Triptyk (2000 - 2002)
Loungta, Les Chevaux de Vent (2003 - 2005)
Entr'aperçu (2004)
Battuta (2006 - 2009)
Darshan (2009 - 2010)
Bartabas Ko Murobushi - Le centaure et l'animal (2010 - 2013)
Golgota (2013 - 2015)
Calacas (2011 - 2014)

Cabaret Équestre (1984 - 1990)
Its caravans, music and horses give it the appearance of a circus but here, the show is a ritual, the music a vocation and the love of horses a religion. There are no 'numbers' but rather a touch, a note, a whole, a moment, a scene…
Opéra Équestre (1991 - 1993)
Via the encounter with its nomadic ancestors, Zingaro goes deeper into its quest for archaic identity. Witness and partner of this experience, the horse reflects the identity of the man with whom it rubs shoulders, and results from his history and his spiritual aspirations (...) In this ritual challenge of a show, two tribes of riders and singers - one influenced by the Berbers, the other by the Caucasians - meet and vie with each other, playing on their differences and similarities.
Chimère (1994 - 1996)
For the past ten years, the Théâtre Equestre Zingaro has been combining travelling cultures, in which it was born and proffer so much inspiration. Marked with the heritage of its imaginary ancestors, the Zingaro Tribe has little by little turned into a wandering people with ancestral cultures. With Chimère, the 'Zingaros' are travelling back in time, guided by horses towards the shores of Hindu civilisation, towards the desert plains of the Thar and the origins of a nomadic people.
Eclipse (1997 - 1999)
For Zingaro, every show and every night is only a stage in a long journey. Eclipse shows the ground that has been covered. A new approach: with dancers. A new constraint: that of black and white, shadow and light. And notably a new musical encounter, Shinawi melodies and the stirring voices of Pansori music, instilling into the troupe the ancestral inner strength of Korea, the Land of the Morning Calm.
Triptyk (2000 - 2002)
For the first time ever, Bartabas has choreographed a dance of horses and riders on composed pieces of music: The Rite of Spring and the Symphony of Psalms by Stravinsky, Dialogue de l'Ombre Double by Pierre Boulez.
Loungta, Les Chevaux de Vent (2003 - 2005)
Broaching a subject in Tibet, even only in imagination or thought, makes you immediately stand taller. By making use of such a world, reproducing it via sudden intuitions and transfigured scenes, Bartabas accomplishes has worked a new wonder. Inspired by the Tantric Monestary of Gyuto, Bartabasdelivers an amazing show.
Entr'aperçu (2004)
Bartabas takes us in the footsteps of Victor Segalen. Among landscapes and calligraphy, the China that is suggested is then revealed within the framework of a very intimate voyage. For the first time, Bartabas is directing a show on a theatre stage: the 'ring master' is tackling the frontal stage at the Théâtre du Chatelet. For this team, Bartabas has chosen horses as travelling companions, lost in these Chinese landscape paintings… Amongst tulle and kakemono, shadows and light, the stage is transformed. The reality is no longer perceptible: all you can do is catch glimpses of it. This change of perception will enable to truly experience this imaginary voyage.
Battuta (2006 - 2009)
In Battuta, everything carries and is carried along, to the rhythm of the musicians' dialogue… Sentimental or wild and vivid, equal to the men ready to vie with the present moment until death.
Travelling back from a battered era Short of breath and loosing all meaning Head off at a gallop the brass and the strings Always allegro, always furioso For a wild search for energy For a return to gypsy instinct Planted under the nose of the sedentary When exodus is like a saraband And it's a good life unrestrained At the caravans' rodeo It is a fearless and blame-free migration A nostalgia-free mirror Where the flight on the run has left again With the grace of a wild goose Or of beautiful young man unveiled Like a young bride Vowed to another wedding
Darshan (2009 - 2010)
Meaning 'sight' or 'vision' in Sanskrit, the term Darshan is a practice that consists in glimpsing the divine, such as in the temporary unveiling of the statue of a god or the fleeting contemplation of special deity or holy person. This 'vision' is meant to convey to the spectator some of the virtues and teachings attributed to the represented subject. Darshan thus combines visual solicitation and revelation. It renders perceptible a part of what is invisible: it increases your sight tenfold. For this Theatre Equestre Zingaro creation, Bartabas has designed a huge circular shadow theatre in strange continuous movement, leading the audience into pleasant gravitation. Once more, Bartabas invites us on a journey into our inner selves. He offers a palette of strong emotions that travel through time and space in a shadow theatre where dreams ride around on horses.
Bartabas Ko Murobushi - Le centaure et l'animal (2010 - 2013)
Bartabas's meeting with Ko Murobushi, one of the most famous and renowned artists in Japan, heir to Tatsumi Hijikata's rules of Butoh, looks to be an exciting artistic adventure that examines the boundaries and passages between two sensitive and exceptional worlds.
Golgota (2013 - 2015)
After ENTRE' APERCU and LE CENTAURE ET L'ANIMAL, the acclaimed French artist returns to the stage in a "mano a mano" with contemporary flamenco dancer ANDRES MARIN, in a dialogue between man, animal, dance and the silent music of Tomas Luis de Victoria; once again demonstrating that flamenco is living art from which knows no boundaries.
Calacas (2011 - 2014)
After having pounded the ground of his Théâtre Equestre Zingaro for more than a quarter of a century, Bartabas is now tackling the skies. There he intends to celebrate with renewed vigour, chasing after the grim reaper and the living dead on horseback. Prepare to enter into the dance of the joyfully macabre, performed under your very eyes and above your head. A twofold wild and furious carnival led to the sound of Chinchineros drums, Mexican brass bands and the barrel organ, with, as always, the presence of horses, the surest psychopompos animal ever to act as escort, steed, messenger and guardian angel.

This product was added to our catalog on Monday 25 April, 2016.
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