Josh Jarman - DaaVeeDee

Josh Jarman (DVD) (*)

~~$22.99~~ $16.97

Examiné, concurrencé ou attribué à:
D'Autres Récompenses De Festival De Film

Langues at Sour-titres:
Anglais ( Dolby Digital 2.0 )

Product Origine/Format:
Australia ( PAL/Region 0 )

Durée:
97 min

Allongement:
Widescreen (1.85:1)

Suppléments:
Commentaire
Featurette
Menu Interactif
Fabrication De
Accès De Scène
Trailer(s)

Film filmé et produit dedans:
Australie ( Australie, Nouvelle-Zélande )

Un Film De:
Pip Mushin

Écrit Près:
Pip Mushin

Acteurs:
Marcus Graham ..... Josh Jarman
Daniella Farinacci ..... Maxine (as Daniela Farinacci)
Damien Richardson ..... Russ
Kestie Morassi ..... Sasha
Kym Gyngell ..... Stan Billows
Suzy Cato ..... Edwina Billows
Alex Menglet ..... Sebastian
Wayne Hope ..... Service Station Attendant
Roz Hammond ..... Burgerland Girl
Marcella Russo ..... Service Station Attendant
Louise Siversen ..... Therapist
Ross Williams ..... Bob the Cockney Man
Danny Gesundheit ..... Courier
John Cousins ..... Harold Stalinger
Chelsea Gibb ..... Vicki Tramelli

Synopsis:

No french review yet:
Marcus Graham plays Josh Jarman, a struggling playwright who has written a long, serious play about doomed love, failed relationships and the overall hurt and heartache of falling in love. He is extremely proud of it, and takes it to various producers around the city, hoping to find one that will produce his play. He takes it to Stan Billows, played by Kym Gyngell, who tells him that although the play is good, it is too serious and long-winded to attract wide audience appeal, so he doesn't feel he can fund it. While at Billows' office, Josh meets Sasha, who appears to be another struggluing playwright. The two immediately hit it off, and a relationship develops. Billows is now interested in producing Josh's play, because it turns out Sasha is his daughter. Billows makes it clear that he will only priduce it on the condition that Josh continues to see his daughter. While this is problematic enough, Billows and the director hired want to make changes to the play, to make it more audience friendly, that is, they put song and dance numbers in, and take away all of its dramatic meaning. This leaves Josh with a dilemma - Does he continue to let them produce the play while sacrificing his own artistic integrity, or does he put a stop to it which will leave him once again, as a struggling playwright?

Cet article a été ajouté le mardi 08 avril, 2008.

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