An Old Mistress ( Une vieille maîtresse ) ( The Last Mistress )

An Old Mistress (DVD) (*)

Out of Stock

Titre Original: Une vieille maîtresse
Titre Alternatif: The Last Mistress
Examiné, concurrencé ou attribué à:
Festival De Film De Cannes

Langues at Sour-titres:
Anglais ( Subtitles )
Français ( Dolby Digital 2.0 )

Product Origine/Format:
Australia ( PAL/Region 4 )

Durée:
104 min + 52 min extras

Allongement:
Anamorphic Widescreen (1.78:1)

Suppléments:
Anamorphic Widescreen
FonteServez d' équipier Interview(s)
Scènes Supprimées
Menu Interactif
Accès De Scène
Trailer(s)

Film filmé et produit dedans:
France ( France, Benelux )
Italie ( Italie, Grèce )

Un Film De:
Catherine Breillat

Écrit Près:
Jules-Amédée Barbey d'Aurevilly
Catherine Breillat

Acteurs:
Asia Argento ..... Vellini
Fu'ad Ait Aattou ..... Ryno de Marigny
Roxane Mesquida ..... Hermangarde
Claude Sarraute ..... La marquise de Flers
Yolande Moreau ..... La comtesse d'Artelles
Michael Lonsdale ..... Le vicomte de Prony
Anne Parillaud ..... Mme de Solcy
Jean-Philippe Tesse ..... Le vicomte de Mareuil
Sarah Pratt ..... La comtesse de Mendoze
Amira Casar ..... Mademoiselle Divine des Airelles
Lio ..... La chanteuse
Isabelle Renauld ..... L'arrogante
Léa Seydoux ..... Oliva
Nicholas Hawtrey ..... Sir Reginald
Caroline Ducey ..... La dame de Pique

Synopsis:

No french review yet:
The first time you see the courtesan called La Vellini, she's stretched out on a divan and wearing a smile, or perhaps a scowl. It's hard to tell with this woman, whose lips restlessly tremble and twist with rage and pleasure. She's dressed like the supine subject of Goya's painting "The Clothed Maja," which, like its sister image, "The Nude Maja," was condemned as indecent by the Spanish Inquisition. To look at the figure on screen writhing like a pampered cat is to understand why those paintings made some observers uneasy. "The Last Mistress" is unlikely to make anyone truly uneasy, because its deepest provocations - the casting of Asia Argento as La Vellini aside - occur at the level of narrative rather than through its style. Like all the unruly women who populate Catherine Breillat's films, La Vellini rubs hard against the grain. She's the fly in the ointment, the stick in the eye, and it's her howls, her spit and her fury that keep everything off kilter, disturbing the peace, its keepers and the narrative flow.

Cet article a été ajouté le lundi 18 mai, 2009.

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