Today, The Same Day is Different ( Hoy el Día se Repite Diferente )

Today, The Same Day is Different (DVD) (*)

~~$28.99~~ $22.97

Titre Original: Hoy el Día se Repite Diferente
Examiné, concurrencé ou attribué à:
D'Autres Récompenses De Festival De Film

Langues at Sour-titres:
Anglais ( Subtitles )
Espagnol ( Dolby Digital 5.1 )
Espagnol ( Subtitles )

Product Origine/Format:
Spain ( PAL/Region 0 )

Durée:
98 min

Allongement:
Anamorphic Widescreen (1.85:1)

Suppléments:
Biographies
FonteServez d' équipier Interview(s)
Scènes Supprimées
Filmographies
Menu Interactif
Accès De Scène
Trailer(s)

Film filmé et produit dedans:
États-Unis ( USA, Canada )

Un Film De:
Xavier Baig
Óscar Moreno

Écrit Près:
Xavier Baig
Óscar Moreno

Acteurs:
Toni
Julio
Manolito
Pruvi
Foxi

Synopsis:

No french review yet:
Sigmund Freud suggested that we all have a 'death drive'; an instinct which prods us towards destruction and non-existence. Toni, the subject of Xavier Baig's and Oscar Moreno's documentary, appears to embrace this theory. Physically deteriorating because of his substance abuse and accumulating illness count, Toni has lost none of his petulant charm. He knows that he is approaching death but he remains unapologetic for his sins; instead, Toni justifies his lifestyle, condemns those around him for being 'ordinary' and repeatedly insinuates that he is omnipotent. Despite his addiction, every time he inhales oxygen to combat this, he follows it up with a splif. It is not Toni's likeability which compels one to continue watching Hoy el Dia se Repite Diferente but rather the fascinating manner with which he deals with his impending death. With surprising depth, the nature of motivation, definition, purpose and identity Hoy el Dia se Repite Diferente shows a humanizing vulnerability which is punctuated by a moment of realization: "It's incredible" he remarks about the Spanish sunset, finally aware of his own insignificance. Whilst Baig and Moreno are careful not to weigh down their film with intrusive symbols, they do effectively use cinematic devices to accentuate the film's visually stunning portrait. The rhythm of the film, for example, is perfectly sustained by the use of colorful and beautiful montages which also act to juxtapose the grim, sinister grayness of Toni's home and hospital room.

Cet article a été ajouté le dimanche 29 mars, 2009.