Fateless ( Sorstalanság )

Fateless (DVD) (*)

Out of Stock

Ursprünglicher Titel: Sorstalanság
Aussortiertes, konkurriertes oder zugesprochenes a:
Berlin Internationales Film-Festival
Europäische Film-Preise
Andere Film-Festival-Preise

Ton und Untertitel:
Englisch ( Subtitles )
Deutsch ( Dolby Digital 5.1 )
Ungarisch ( Dolby Digital 2.0 )

Product Ursprung/Format:
Germany ( PAL/Region 2 )

Laufzeit:
135 min

Längenverhältnis:
Anamorphic Widescreen (2.35:1)

Bonusmaterial:
Featurette
Wechselwirkendes Menü
Musik-Bildschirm

Film innen gefilmet und produziert:
Deutschland ( Deutschland, Mitteleuropa )
Ungarn ( Russland, Osteuropa )
Vereinigte Königreich ( Großbritannien, Irland )

Vorbei Verwiesen:
Lajos Koltai

Vorbei Geschrieben:
Lajos Koltai
Imre Kertész

Schauspieler:
Marcell Nagy ..... Gyuri Köves
Béla Dóra ..... Smoker
Bálint Péntek ..... Pretty boy
Áron Dimény ..... Bandi Citrom
Péter Fancsikai ..... Older Kollmann boy
Zsolt Dér ..... Rozi
András M. Kecskés ..... Finn
Dani Szabó ..... Moskovich
Tibor Mertz ..... Fodor
Péter Vida ..... Lénárt
Endre Harkányi ..... Old Kollmann
Márton Brezina ..... Younger Kollmann boy
Zoltán Bukovszki ..... Zoli
Gábor Nyiri ..... Hedge
Jenö Nagy ..... Jenö

Synopsis:

No German review yet:
The visual beauty of Lajos Koltai's "Fateless" is unmistakable, and also a bit disconcerting. This is, after all, a movie about the Holocaust, which follows a 14-year-old Jewish boy from Budapest to Buchenwald, where it lingers in mud, misery and death. The film was written by Imre Kertesz, who based the screenplay on his autobiographical novel of the same title. His rendering of his childhood experience, on the page and now on screen, is by no means an attempt to aestheticize an unredeemable chapter of history. It represents something stranger and more disturbing: a survivor's conviction that there were aspects of the experience itself that can only be described as beautiful. "Fateless" bears no resemblance to Roberto Begnigni's "Life Is Beautiful," which turned a death camp into a theater of sentimental kitsch. It has more in common with "The Pianist," Roman Polanski's adaptation of Wladyslaw Szpilman's memoir of survival in the Warsaw Ghetto under Nazi occupation. The two films, indeed, rank among the best nondocumentary cinematic treatments of the Holocaust yet produced - dry as well as devastating, and illuminated by surprising flashes of absurdist humor that carry the authority of lived experience.

Diesen Artikel haben wir am Sonntag, 24. September 2006 in unseren Katalog aufgenommen.

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