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Alain Cavalier Collection - 2-DVD Set (DVD) (*)
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Out of Stock

Ursprünglicher Titel: Le filmeur (Homem-Filme) / La rencontre / Ce répondeur ne prend pas de messages
Wechselnder Titel: Filmman (Film man) / Encounter / This Machine Does Not Accept Messages (This Answering Service Takes No Messages)
Aussortiertes, konkurriertes oder zugesprochenes a:
Cannes Film-Festival


Ton und Untertitel:
Englisch ( Subtitles )
Französisch ( Dolby Digital 2.0 )


Product Ursprung/Format:
France ( PAL/Region 0 )

Laufzeit:
278 min

Längenverhältnis:
Fullscreen

Bonusmaterial:
Satz 2-DVD
Wechselwirkendes Menü
Szene Zugang
Broschüre


Film innen gefilmet und produziert:
Frankreich ( Frankreich, Benelux-Länder )


Vorbei Verwiesen:
Alain Cavalier


Vorbei Geschrieben:
Alain Cavalier


Schauspieler:
Christian Boltanski ..... Himself
Danielle Bouilhet ..... Herself
Camille de Casabianca ..... Herself (archive footage)
Alain Cavalier ..... Himself
Bernard Crombey ..... Himself
Philippe Daveney ..... Himself
Caroline Laval ..... Herself
Thérèse Martin ..... Herself
Alexandre Widhoff ..... Himself
Françoise Widhoff ..... Herself
Alain Cavalier
Xavier Saint-Macary ..... L'homme


Synopsis:
No German review yet:
Filmman (2005)
Over ten years of the director's life (from 1994 to 2005) condensed into just minutes of screen time. Using his own filmed diaries as a basis, Alain Cavalier filmed and edited 'Le filmeur'. He continues his formal radicalisation towards an ever more purified aesthetic.

Encounter (1996)
A man decides to film the first year of his relationship with a new woman. Within this idea of a video diary, filmmaker Alain Cavalier concentrates on objects, parts of bodies, hand and feet as they enter the frame. The camera rarely moves, and people rarely make an appearance. It is the voice-over dialogue, his voice and hers, that invests these images and objects with meaning. Fish is described as being very expensive, a shot of a wallet carries memories of a dead father. Slowly objects are given associations and we begin to fill in the personal history of the two lovers. Then the outer world starts to make an appearance - Bastille Day celebrations, subway bombs. From the strictly personal we move to the socially specific. Sounds of nature -- rain, birds - punctuate the soundtrack.

This Machine Does Not Accept Messages (1979)
Following the death of his wife in a car accident, a grieving, injured man whose head is wrapped in bandages returns to their apartment, smashes the furniture, and begins painting everything in sight black, including the windows, all the while raving about his past life and his dead wife. The story seems to parallel certain aspects of director Alain Cavalier's own life: his wife (actress Irene Tunc) died not long before in a car accident.
Diesen Artikel haben wir am Montag, 10. Januar 2011 in unseren Katalog aufgenommen.
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