I Am a Camera (1955) ( I'm a Camera )

I Am a Camera (1955) (DVD) (*)

$24.99

Wechselnder Titel: I'm a Camera
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Ton und Untertitel:
Englisch ( Dolby Digital 2.0 )
Spanisch ( Dolby Digital 2.0 )
Spanisch ( Subtitles )

Product Ursprung/Format:
Spain ( PAL/Region 0 )

Laufzeit:
95 min

Längenverhältnis:
Fullscreen

Bonusmaterial:
Wechselwirkendes Menü
Szene Zugang

Film innen gefilmet und produziert:
Vereinigte Königreich ( Großbritannien, Irland )

Vorbei Verwiesen:
Henry Cornelius

Vorbei Geschrieben:
Christopher Isherwood
John Van Druten

Schauspieler:
Julie Harris ..... Sally Bowles
Laurence Harvey ..... Christopher Isherwood
Shelley Winters ..... Natalia Landauer
Ron Randell ..... Clive
Lea Seidl ..... Fräulein Schneider
Anton Diffring ..... Fritz Wendel
Ina De La Haye ..... Herr Landauer
Jean Gargoet ..... Pierre
Stanley Maxted ..... Editor
Alexis Bobrinskoy ..... Proprietor (Troika)
André Mikhelson ..... Head Waiter (Troika)
Frederick Valk ..... Doctor
Tutte Lemkow ..... Electro-Therapist
Patrick McGoohan ..... Swedish Water Therapist
Julia Arnall ..... Model

Synopsis:

No German review yet:
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is 'a confirmed bachelor;' and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century.

Diesen Artikel haben wir am Donnerstag, 21. Februar 2019 in unseren Katalog aufgenommen.

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