Waltz with Bashir ( Vals Im Bashir ) ( Valse avec Bachir )

Waltz with Bashir (DVD) (*)

~~$29.99~~ $23.97

Original Title: Vals Im Bashir
Alternate Title: Valse avec Bachir
Screened, competed or awarded at:
BAFTA Awards
British Independent Film Awards
Cannes Film Festival
European Film Awards
Film Critics Circle of Australia Awards
Golden Globes
Oscar Academy Awards
Other Film Festival Awards

Language Selections:
English ( Subtitles )
Hebrew ( Dolby Digital 5.1 )

Product Origin/Format:
United Kingdom ( PAL/Region 2 )

Running Time:
87 min

Aspect Ratio:
Widescreen (1.78:1)

Special Features:
Cast/Crew Interview(s)
Interactive Menu
Scene Access
Trailer(s)

Movie filmed in 2008 and produced in:
Australia ( Australia, New Zealand )
Belgium ( France, Benelux )
Finland ( Scandinavia, Iceland )
France ( France, Benelux )
Germany ( Germany, Central Europe )
Israel ( Africa, Middle East )
Switzerland ( Germany, Central Europe )
United States ( USA, Canada )

Directed By:
Ari Folman

Written By:
Ari Folman

Actors:
Ron Ben-Yishai ..... Himself (voice)
Ronny Dayag ..... Himself (voice)
Ari Folman ..... Himself (voice)
Dror Harazi ..... Himself (voice)
Yehezkel Lazarov ..... Carmi Cna'an (voice)
Mickey Leon ..... Boaz Rein-Buskila (voice)
Ori Sivan ..... Himself (voice)
Zahava Solomon ..... Herself (voice)

Synopsis:

"Waltz With Bashir" is a memoir, a history lesson, a combat picture, a piece of investigative journalism and an altogether amazing film. Directed by Ari Folman, an Israeli filmmaker whose struggle to make sense of his experience as a soldier in the Lebanon war of 1982 shapes its story, "Waltz" is by no means the world's only animated documentary, a phrase that sounds at first like a cinematic oxymoron. Movies like Richard Linklater's "Waking Life" and Brett Morgen's "Chicago 10" have used animation to make reality seem more vivid and more strange, producing odd and fascinating experiments. Mr. Folman, crucially assisted by his art director, David Polonsky, and director of animation, Yoni Goodman, has adapted techniques often (if unfairly) dismissed as trivial into an intense and revealing meditation on a historical catastrophe and its aftermath. "Waltz With Bashir" will certainly enrich and complicate your understanding of its specific subject - the Lebanon War and, in particular, the massacre of Palestinians by Lebanese Phalangist fighters at the Sabra and Shatila refugee camps - but it may also change the way you think about how movies can confront history. The core of "Waltz With Bashir" is a series of conversations between the director, depicted with graying hair and a thoughtful demeanor, and other middle-aged Israeli men who were in Lebanon in the summer of 1982, when the Israeli Defense Forces pushed up through the southern part of the country toward Beirut. Most of them were in the western part of that city from the 16th to the 18th of September, when Christian militiamen slaughtered as many as 3,000 civilians, ostensibly to avenge the death of Bashir Gemayel, Lebanon's newly elected president, who had been assassinated a few days before. More than 20 years later, Mr. Folman confronts his interlocutors amid the trappings of their relatively calm daily lives. (All the interview subjects speak in their own voices except for two, whose dialogue has been dubbed.) The freedom afforded by animation - a realm where the prosaic standards of verisimilitude and the inconvenient laws of physics can be flouted at will - allows Mr. Folman to blend grimly literal images with surreal flights of fantasy, humor and horror. "Waltz With Bashir" is not, and could not be, the definitive account of the Lebanon war or the Sabra and Shatila massacres. Instead, it's a collage and an inquiry. "Can't a film be therapeutic?" one of Mr. Folman's friends asks him early in the movie, and in a way everything that follows is an attempt to answer that question and interrogate its premise. It depends on what is meant by therapy, and on who is undergoing it.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs.
Every night, the same number of beasts.
The two men conclude that theres a connection to their Israeli Army mission in the first Lebanon War of the early eighties.
Ari is surprised that he cant remember a thing anymore about that period of his life.
Intrigued by this riddle, he decides to meet and interview old friends and comrades around the world. He needs to discover the truth about that time and about himself.
As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images...

This product was added to our catalog on Friday 15 May, 2009.

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