A Home of Your Own

A Home of Your Own (DVD) (*)

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Language Selections:
English ( Dolby Digital 2.0 )

Product Origin/Format:
Australia ( PAL/Region 2.4 )

Running Time:
41 min + 24 min extras

Aspect Ratio:
Fullscreen

Special Features:
Cast/Crew Interview(s)
Interactive Menu
Scene Access
Black & White

Movie filmed in 1964 and produced in:
United Kingdom ( Great Britain, Ireland )

Directed By:
Jay Lewis

Written By:
Jay Lewis
Johnny Whyte

Actors:
Bridget Armstrong ..... Cement mixer
Ronnie Barker ..... Gatekeeper
George Benson ..... Husband
Richard Briers ..... Carpenter
Janet Brown ..... Mason
Peter Butterworth ..... Mayor
Gerald Campion ..... Shop steward
Helen Cotterill
Bernard Cribbins
Fred Emney
Bill Fraser
Barrie Gosney
Douglas Ives
Harry Locke
Jack Melford

Synopsis:

In 1860's lower Manhattan, the Five Points section is a dark, teeming corner of the city known for vice and chaos. Into this frontier of lawlessness arrives the young Irish American, Amsterdam Vallon. Amsterdam is the orphaned son of the slain Priest Vallon--once chief warrior of the Dead Rabbits gang that rallied the Irish immigrants of the Five Points. After 16 years in a "House of Refuge," Amsterdam has returned to the Five Points to hunt down his father's killer. His target is William Cutting (aka "Bill the Butcher") who has since become the merciless new leader of the neighborhood and detests the newly arrived immigrants. Each year, on the anniversary of Priest Vallon's death, the victory is commemorated with a celebration--with invitations handed out by way of the Butcher himself. Amsterdam's plan is clear: to lie in wait and slay his father's killer. While waiting for that night, Amsterdam works his way deep into the Butcher's inner circle, a world of alternating honor and cruelty from which he can only hope to escape. But the closer he gets to Bill, the more he falls under his spell and becomes conflicted--playing the role of the man's surrogate son while keeping the true secret of his past in the shadows. At the same time, Amsterdam meets Jenny Everdeane, an enigmatic pickpocket whose fierce independence fascinates him. When details of her closely linked past with Bill the Butcher emerge, the relationship between the three intensifies. Amsterdam's fight for family honor, freedom and the woman he loves ultimately collides with a pivotal moment in New York and American history: the 1863 Civil War Draft Riots. This uprising, fueled by new Americans like Amsterdam, will have repercussions that will spread through the Five Points to the halls of Government and beyond, and reveal a tenacious spirit in the city that endures.

Though legendary entertainer Al Jolson was a highly visible presence on the U.S.O. circuit during World War II, he was generally regarded as a relic of an earlier time until his movie comeback in 1945's Rhapsody in Blue. Showing up 30 minutes into this biopic of George Gershwin, Jolson literally stopped the show with his robust rendition of "Swanee." Suddenly, every Hollywood studio was negotiating with Jolson to film his life story. Warner Bros., the studio that skyrocketed to the top ranks via the 1927 part-talkie Jolson vehicle The Jazz Singer, seemed to have the inside track, but it was Columbia's Harry Cohn who made the deal that Jolson couldn't refuse. An attractively appointed fabrication, the Technicolor The Jolson Story distorts and glosses over the particulars of Jolson's life, but the results are so darned entertaining that nobody really paid attention to its inaccuracies. The story begins in turn-of-the-century Washington, D.C., where young Asa Yoelson (Scotty Beckett), son of an immigrant cantor (Ludwig Donath), ignores his religious studies in favor of popular music. Asa is hired as an "extra added attraction" boy tenor by a vaudevillian; when his voice breaks, the boy wins over the audience with his whistling ability. Growing into manhood, Asa Yoelson -- now "Al Jolson," and now played by Larry Parks -- becomes fascinated with African-American jazz music. He breaks away from his initial vaudeville assignment by joining Lew Dockstader's (John Alexander) blackface minstrel troupe, then goes on to success as a "single." Ascending to Broadway, Jolson establishes a reputation as an inveterate ad-libber, as well as an indefatigable singing performer, frequently holding an audience in thrall until the wee hours of the morning. Along the way, he falls in love with singer Julie Benson (Evelyn Keyes), a character based on Jolson's third wife Ruby Keeler, who refused permission to have her name used on screen. As Jolson attains superstardom, his ego assumes gargantuan proportions, alienating many of those around him, including his wife Julie. Anxious not to lose Julie, Jolson promises to change his ways. He even goes into retirement so as to spend more time with his wife. But when coerced into performing before a nightclub audience, Jolson is "hooked"once more -- whereupon the understanding Julie walks out of his life, realizing that she can never compete with Jolson's love for his audience. Like its subject, The Jolson Story delivered exactly what the audience wanted to hear. Faithful Columbia contractee Larry Parks was catapulted to stardom as Jolson, though in retrospect he seems a curious casting choice: his miming of Jolson's style is painstakingly accurate, but he seems too boyish and unwordly for the role. Jolson, then well into his sixties, had wanted to play himself on screen, but was talked out of it after a rather embarrassing screen test. He consoled himself by personally coaching Parks in the role (his attitude toward the young performer alternated between avuncular and adversarial through the shooting), and by providing his own voice in the musical sequences. Jolson also appears in long-shot during the "Swanee" number, which like all the film's musical highlights was directed by cult favorite Joseph H. Lewis (whose "dry run" for this assignment was the 1945 PRC production Minstrel Man). A wealth of Jolson standards are heard in The Jolson Story, including "You Made Me Love You," "I'm Sitting on Top of the World," "My Mammy," "There's a Rainbow Round My Shoulder," "Toot Toot Tootsie," "The Anniversary Waltz," "Rock-a-bye Your Baby," and "Let Me Sing and I'm Happy." The film was nominated for several Oscars, winning in the "best sound" and "best score" categories. A fantastic box-office success, The Jolson Story spawned a 1949 sequel, Jolson Sings Again. Ironically, despite Larry Parks' contributions to the film, it did little for that actor and instead reignited Jolson's celebrity during the last several years of his life.

Comedy about the building of a new house on a brand new housing estate, which is bought by a newly married couple. No real dialogue - the story is told through music, sound effects, gesture and garbled speech.

This product was added to our catalog on Saturday 16 May, 2009.