English Français Español Deutsch

Best blackjack games is here.

  Top » Catalog Log In |  Cart Contents  |  Checkout | 

Best online pokies at https://aucasinosonline.com/pokies/

Search DaaVeeDee:
box
 
DescriptionNarrow




Advanced Search
box
Categories
box


Arthouse
Classic Films
Cult Films
Erotic Films
Euro-Westerns
Kids and Family
Jewish Themes
Documentaries
Mini-Series
Other Great Films

USA, Canada 
Latin America, Mexico 
France, Benelux 
Germany, Central Europe 
Russia, Eastern Europe 
Spain, Portugal 
Italy, Greece 
India, Eastern Asia 
Africa, Middle East 
Australia, New Zealand 
Great Britain, Ireland 
Scandinavia, Iceland 

View All Products

Blu-Ray

New Arrivals
Coming Soon
box
Shopping Cart more
box
0 items
box
Log In
box
Your Email Address
Your Password
box
Information
box
Our Policies
Shipping Info
Privacy Policy
Returns
Inquiries
Write a Review and Save!
Contact Us
box
Being There / Side By Side (Blu-Ray) (*)
box_bg_l.gif.
Out of Stock

Screened, competed or awarded at:
Other Film Festival Awards


Language Selections:
English ( Subtitles )
Norwegian ( Dolby Digital Stereo )
Norwegian ( Subtitles )


Product Origin/Format:
Norway ( Blu-Ray/Region A/B/C )

Running Time:
110 min + Extras

Aspect Ratio:
Widescreen (1.78:1)

Special Features:
Interactive Menu
Scene Access


Movie filmed in 2010 - 2011 and produced in:
Norway ( Scandinavia, Iceland )


Directed By:
Filip Christensen
Even Sigstad


Written By:
Filip Christensen


Actors:
Aksel Lund Svindal
Aleksander Aurdal
Anders Backe
Asbjorn E Naess
Asmund Thorsen
Christopher Frankum
Eirik Finseth
Even Sigstad
Fridtjof Fredericsson
Henrik Windstedt
Jesper Tjader
Jon Olsson


Synopsis:
***ATTENTION***Original language audio with English & Norwegian subtitles***
Being There (2011)
With some of the best skiers within all aspects of modern freeskiing, and a passionate film crew equipped with the best of HD cameras, this movie will both thrill and amaze you. Along side amazing action shots and mind blowing scenery, this movie will give you a behind the scenes look at the production itself. You should have been there when wonder kid Jesper Tjäder shocked the whole film crew with his urban skiing or when Tom Wallisch was head of production at Strandafjellet. You should have been there when Aleksander Aurdal proved how much of a man he is or when Aksel Lund Svindal had unforgettable days in Lofoten. Missed it? Well, don´t worry. This movie will take you there.

Side By Side (2010)
With the most influential and diverse line-up of athletes and a bag of unique locations, they can assure that this one is their best so far. The movie brings a new look on the urban scene, massive tricks in the terrain parks, intense big mountain skiing on the most scenic locations in Norway. Deep blower powder in Haines AK and Interior BC. Shot on the RED One and other HD cameras that results in a crisp high quality experience. As a viewer, you will get behind the movie set during the movie, with a feeling that you are present on the location where the action goes down. Get closer to the drama, the reality, and the endless joy that skiing gives you.

Being There (2011)
Being a Norwegian film company, Field seems to trip up a lot of critics because their skier crew doesn't get huge coverage in the North American press and they are not the first choices for North American brands when looking for skiers to sponsor. If winning Olympic gold medals, like Aksel Lund Svindal has done, isn't enough to get some credit and recognition, well, that's being overly tough. But all is not lost. Christensen's secret weapon for North American audiences has been Tom Wallisch (who's been in every Field ski movie since 2008's Get Lucky) and with Wallisch's massive success on the competition circuit in 2010 and 2011, Field's investment has paid off. Christensen's canny decision to let Wallisch's engaging personality and commentary run without a governor in Being There works beautifully. Ski fans like Wallisch and so they're predisposed to liking what's going on here and it all works to make Field a contender in the North American ski movie world, right up there with Matchstick and Teton Gravity Research. As with his other works, Christensen's new film comes down to the meticulous care taken with the cinematography and the editing, particularly the timing of the ski tricks to the music. While this is a ski movie staple, the directing team of Christensen, Even Sigstad and Jan Petter Aarskog (new this year to the director's chair at Field having served as an editor in earlier films) work smoothly to provide the maximum pay-off as they set the scene with brilliant landscapes, transition through shots of the skiers, glide into the approach runs and then nail the whole sequence with the landing of a stunning trick just as the music hits a crescendo. Whether it's big mountain, big air or urban rails, the Field team weaves their camera angles seamlessly, creating a driving, kinetic display of ski tricks in all their complexity and grace. With those perfect edits to the music, Christensen is clearly building a recognizable style and body of work in his ski films. In fact, it's obvious that a big part of the lyrical quality of Being There, its seamless transitions and its easy flow comes down to the actual music itself. The opening verses of Hooray for Earth's 'No Love' underpins Jesper Tjader's opening sequence replete with all his crashes and the band's big, glorious chord changes hit just as he finally stomps his first trick. The combination smells like victory and you can't help but say 'Hell Yeah' as Tjader goes to work on whatever is put in front of him in the shots that follow. Australia's Bag Raiders' pop-trance inflected 'Way Back Home' provides the seemingly perfect soundtrack for the slow-motion big air work in a sunrise shoot at Strandafjellet. The track's big vocal melody line is up-beat and it accentuates the shots without getting in the way as Wallisch, Hunder, Aurdal and company bring home the Cab 9s and Dub 10s. Awolnation's 'Sail' works the same way in providing the drama for Aleksander Aurdal's switch double misty 12 at the start of the closing credits. Field isn't the only company to have picked up on the fact that this track works great in sports action films - it's used in at least three ski films this year as well as one wakeboard movie. Field's soundtracks are always on point and that always leads to repeated viewings of their movies. Being There also reveals another ace up the Field Productions sleeve. Viewers of last year's offering Side By Side were introduced to 16 year old Jesper Tjader via Jon Olsson and watched the kid pull off a variety of tricks including a double cork 1440. Jesper gets a whole lot more time in front of the lens in Being There and one can't help but get that feeling when you know your seeing a real talent emerge. Kind of like Sean Pettit's opening scene in Matchstick's 2009 In Deep, you just shake your head and wonder what good things he did in a previous life to be blessed with such monster talent in this one. He kills huge rails and stomps two back flips in a row off a pair of kickers. This kid's a phenom in a movie chocked full of serious talent. He gets bonus points for having a Tanner Hall-style work ethic too as the film shows him relentlessly hitting the rails until he finally scores the trick. Christensen's ability to place a camera and his ingenuity in getting the shot (whether it be a camera on a wire or from a helicopter) is something to behold. Being There is a truly beautiful sports action film. One has to wonder when someone in Hollywood will tap him to helm a full-on action thriller theatrical release.

Side By Side (2010)
In previous movies like 'Eyes Wide Open' and 'Get Lucky', director Filip Christensen's visual style, his edits and his choice in soundtracks has always added up to stellar film-making. His end product was so arresting that it sometimes made you over-look the talents of his crew of skiers. This time out, in 'Side By Side' the quality level of the film-making remains high but the progression in the tricks by skiers like Jon Olsson (double corked 1440 big air), Aleksander Aurdal (back flip off a roof) and the film's co-director Even Sigstad (killer performances on a series of urban rail rides, half of them on one leg) is totally off the hook. These guys are like aerial drones on air strikes: they fly in and destroy. Just as a good ski movie should, 'Side By Side' cruises through the back-country, rips in the park and on the rails and astounds on the big mountains. The only point on which 'Side By Side' does not match up with Christensen's previous works is in the soundtrack - most of it is uninspiring with the lone standout being Pretty Lights' 'I Can See It In Your Face' which undperpins an awesome urban sequence that carries on into the Norwegian back country with the same group of skiers. Christensen and Sigstad are a strong team though and deserve their place in the leading ski movie companies out there.

This product was added to our catalog on Thursday 02 May, 2013.
box_bg_r.gif.

Copyright © 2005-2013 DaaVeeDee LLC
Powered by Oscommerce Supercharged by CRE Loaded Team
Using Version CRE Loaded PCI CE v6.4