Rashomon ( In the Woods ) ( Rasho-Mon )

Rashomon (DVD) (*)

~~$20.99~~ $14.97

Titre Original: In the Woods
Titre Alternatif: Rasho-Mon
Examiné, concurrencé ou attribué à:
Récompenses de BAFTA
Récompenses D'Académie D'Oscar
D'Autres Récompenses De Festival De Film

Langues at Sour-titres:
Anglais ( Subtitles )
Japonais ( Dolby Digital 2.0 )

Product Origine/Format:
Australia ( PAL/Region 4 )

Durée:
85 min

Allongement:
Fullscreen

Suppléments:
Longueur Alternative
FonteServez d' équipier Interview(s)
Documentaire
Menu Interactif
Galerie De Photo
Trailer(s)
Noir & Blanc

Film filmé et produit dedans:
Japon ( Inde, Asie de L'est )

Un Film De:
Akira Kurosawa

Écrit Près:
Akira Kurosawa
Ryunosuke Akutagawa

Acteurs:
Toshirô Mifune ..... Tajômaru
Machiko Kyô ..... Masako
Masayuki Mori ..... Takehiro
Takashi Shimura ..... Woodcutter
Minoru Chiaki ..... Priest
Kichijiro Ueda ..... Commoner
Fumiko Honma ..... Medium
Daisuke Katô ..... Policeman

Synopsis:

No french review yet:
This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial unfolds, the participants in the crime -- the bandit (Toshiro Mifune), the rape victim (Machiko Kyo), and the murdered man (Masayuki Mori) -- tell their plausible though completely incompatible versions of the story. In the bandit's version, he and the man wage a spirited duel after the rape, resulting in the man's death. In the woman's testimony, she is spurned by her husband after being raped. Hysterical with grief, she kills him. In the man's version, speaking through the lips of a medium, the bandit beseeches the woman after the rape to go away with him. She insists that the bandit kill her husband first, which angers the bandit. He spurns her and leaves. The man kills himself. Seized with guilt, the woodcutter admits to the shocked priest and the commoner that he too witnessed the crime. His version is equally feasible, although his veracity is questioned when it is revealed that he stole a dagger from the crime scene. Just as all seems bleak and hopeless, a baby appears behind the gate. The commoner seizes the moment and steals the child's clothes, while the woodcutter redeems himself and humanity in the eyes of the troubled priest, by adopting the infant.

Cet article a été ajouté le mardi 05 décembre, 2006.

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