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Dark Matter (DVD) (*)
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$26.99 $20.97

Examiné, concurrencé ou attribué à:
Festival De Film De Sundance


Langues at Sour-titres:
Anglais ( Dolby Digital 2.0 )


Product Origine/Format:
Australia ( PAL/Region 4 )

Durée:
85 min

Allongement:
Anamorphic Widescreen (1.78:1)

Suppléments:
Anamorphic Widescreen
Menu Interactif
Galerie De Photo
Accès De Scène


Film filmé et produit dedans:
États-Unis ( USA, Canada )


Un Film De:
Shi-Zheng Chen


Écrit Près:
Billy Shebar


Acteurs:
Ye Liu ..... Liu Xing
Meryl Streep ..... Joanna Silver
Aidan Quinn ..... Reiser
Sina Amedson ..... Selim
Erick Avari ..... R.K. Gazda
Blair Brown ..... Hildy
Rob Campbell ..... Small
Dan Christensen ..... Professor
Jeshua De Horta ..... Student
Joe Grifasi ..... Colby
Bill Irwin ..... Herb
Krystal King ..... Girl / one night stand
Boris McGiver ..... Reverend Hollings
John Rothman ..... Rene
Jodi Russell ..... Claire
Taylor Schilling ..... Jackie
Lloyd Suh ..... Laurence Feng
Tisha Vaculin ..... Waitress
He Yu ..... Wu


Synopsis:
No french review yet:
The title of "Dark Matter," a melodrama set in academia, is both a scientific concept and a blunt metaphor. Technically, it refers to a form of matter that makes up most of the universe but can't be directly observed. Applied to human affairs, it evokes the unconscious mind and the hidden, destructive forces within relationships. Specifically, the story, inspired by a tragic incident involving a Chinese student at the University of Iowa in 1991, addresses East-West cultural miscommunication. As one character muses, in China astrology is considered a science, and indoor plumbing a luxury. In the United States, visiting students are appalled to discover, many children put their aging parents in retirement homes rather than care for them as they would in China. "Dark Matter," directed by Chen Shi-Zheng from a screenplay by Billy Shebar, is a movie of ideas that does an exemplary job of translating scientific speculation into layman's language. The filmmaking style of Mr. Chen, an internationally renowned opera director (still best known for his 20-hour "Peony Pavilion" at Lincoln Center in 1999), is considerably more formal than American audiences are accustomed to. And that formality keeps you at a distance.
Cet article a été ajouté le mercredi 18 février, 2009.
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